Negro Spiritual Royalties Initiative
First Church has participated for several years in the Negro Spiritual Royalties Initiative, which supports the Hamilton Garrett Center for Arts and Music in Roxbury. The project is a collaboration of the Social Justice Action Committee and the Music Committee and focuses on the legacy of enslaved African American composers who were never compensated for their music. Their names were never known or have long since been forgotten. When we include this music in our service, we donate to Hamilton Garrett. Our support of this project reinforces our commitment to acknowledge our history and forwards the development of our reparation policies.
Land and Labor Acknowledgment
We at First Church in JP are beginning the process of working to build right relationship with indigenous communities. One action is ongoing development of a land and labor acknowledgment:
We are on the unceded territory of the Massachusett people, who have lived in reciprocity with the land for thousands of years. Our church building sits at a junction of roads that were once Indigenous trade and travel routes. First Church’s Puritan ancestors are responsible for the theft of these lands and for cultural and physical violence against Indigenous people.
At least three of the church founders enslaved people of African descent. This church was also financially supported by members who were merchants profiting from the unpaid labor of enslaved people and the commodities they produced.
Our congregation has begun the work of repair by learning and telling our more complete history. We will continue to work with community and denominational partners as we strive to make our community whole. We invite you to bring your open heart, your ideas, and your commitment into this work.
First Church Historical Examples
Benjamin Bussey was a member and major benefactor of this congregation. His wealth was tied to slavery, as a 2022 Harvard University report detailed: “Bussey was a sugar, coffee, and cotton merchant, crops dependent upon slave labor.”
James Drummond Dole was the son of our long-time minister Rev. Charles Fletcher Dole. James “Jim” Dole, who became known as the “Pineapple King,” developed the pineapple industry in Hawaii. This industry perpetuated colonization, violence, and exploitation, “in the tradition of western industries extracting profit from Hawaiian soil and people.” A fruit that is not native to Hawaii, the pineapple remains an emblematic part of the “tropical paradise vacation” image sold to white tourists, but for many indigenous Hawaiian communities represents exploitation, invasion, and white supremacy.








